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As I promised when I wrote my post a few weeks ago, if the interest was there, I'd continue the series. I'm happy to report that I've got much more in stock for you. If you're interested in kicking your architectural and interiors photography into high gear and adding some special sauce to your photos, this post is for you. When I wrote the last post, I wrote that there’s often much more than meets the eye at first glance when it comes to architectural and interiors photography.

That same concept applies here: if patience and problem solving aren’t in your repertoire of photography skills, you might find yourself struggling with creating dramatic, interesting, and dynamic images of spaces. This post will cover some basics to get us started, and I'll be explaining many more concepts in further detail in the weeks to come.

If you're interested in architectural photography as a source of income, shooting real estate for an agent, or just improving the quality of your architectural shots while on vacation, I'm hoping that this and the subsequent posts will help. So without further adieu, I’m going to walk you through a few techniques that I’ve come to use when I’m photographing a space. Be Mindful of Vertical Lines This is usually the number one issue that rears its head over and over again when people who are interested in taking photographs of architecture or interiors ask me for help. If you want to dive into this type of photography, this rule can’t be ignored.

When we tilt the camera up or down, vertical lines converge. This leads to the ever-ugly ‘building falling backwards’ look. If you’re shooting for an architectural client, this is especially important, as leaning vertical lines and buildings that look like they’re about to fall over backwards will make it appear as if the architect or builder is incapable of keeping a line straight and true, and that the building is not structurally sound. Using a tilt-shift lens is one way to change the field of view of your camera while keeping vertical lines vertical.

Another method is to adjust the vertical lines in Photoshop, though this will usually result in some of the image being cut off and a slight loss of image quality. Even though I use tilt shift lenses for my work, I still find myself bringing images into Photoshop to correct the vertical lines, as even the slightest misalignment will be glaringly obvious when viewed under a discerning eye. The fastest way to correct this is by using the Free Transform and Skew tools in Photoshop.

Hp Support Assistant Silent Install Switches here. Note in the below image the converging vertical lines, I've outlined them in blue. You can see how even though they are just a touch off of perfect, it still contributes to the building feeling like it is not architecturally sound. Not the idea we are trying to get across when we want to show that our client is a competent architect!

The finished image, with the corrected verticals and lighting added, can be seen below. Now we've got a nice, sturdy building that doesn't look like it is in danger of collapse. Canon Imageclass Mf6590 Driver Download. © mpkelley.com Take Some Time to Stage and Organize When we walk through a room without a camera, our brain is very good at disregarding a little bit of clutter to see the big picture. We can overlook some books on a coffee table in disarray, or a few coffee cups and crumpled blankets and say “wow, what a beautiful room!” While we’re great at filtering that stuff out while we’re just walking through a room, it is a very different story with a photograph of a room. Everything must be placed very deliberately or the flaws of the room become more obvious.

Pillows tend to look sad and dejected in a photograph if you don’t take a minute to fluff them up, creases and uneven blankets on beds will photograph terribly, crooked carpets can ruin the perfect composition by fighting with your eye and the leading lines of a photograph, and toasters and microwaves (as expensive as they may be) kill the photogenic qualities of most kitchens with ease. If you aren’t at liberty to remove and rearrange, I at least recommend taking five minutes and walking through the room to straighten, align, and organize everything possible. Staging and organization probably plays just as big of a role as lighting when it comes to interior photographs, and to rush through any shoot without putting in a few minutes to clean up is definitely a shame. In the below images, I've shown what the space looks like before I took what was literally five minutes to stage and re-arrange to my liking, next to the final staged image. Note that I was working alone and none of this involved any crazy logistical planning, with the exception of a trip to Whole Foods to pick up $10 worth of vegetables to stage the first image. While you can certainly tell that they are nice spaces without the staging, cleaning up and organizing certainly brings things from 'not bad' to 'whoa!' ©mpkelley.com Add and Control The Light As far as photography is concerned, waiting for the right light is a tried and true method to improving your images.